National Industry
Iosu Aramburu
Nov 06, 2025 – March 11, 2026
We must imagine the past in order to shape the future. Although the past is precisely what we must leave behind, it is also the substance upon which the promise of the future is built. It is an anchor and a confirmation.
In this series of paintings, layers of time and matter overlap. They are realities that collide and come together to reveal a little-explored facet of artistic modernity, one found in illustrations and magazines, a functional and informative facet that must project a model of progress and sell resources, but whose resolution is contradictory and motley, and therefore kitsch, dense, and fluid.
Making this density even more complex, in this series the references to illustrations are combined with works showing factories, mines, and plantations.
Line of Luck, Line of Flight, a Line of Waist*
José Vera Matos
Sep 24 – Nov 03, 2025
Why do we need words so much?
We know they shape us and sustain us, and have shaped everything around us. But do we really need them as our only means of support and the only possible intermediary?
Writing and words have functioned as a technological system of codes, capable of organising reality into a hierarchy of names and classifications. It is from this system that we have built what we call civilization. However, this civilisation has also involved an endless sequence of violence, including conquests, expansions and the imposition of cultural and linguistic codes.
"Pinacoteca Migrante" at the National Library of Spain
Sandra Gamarra Heshiki
Jun 02 – Sep 14, 2025
We are pleased to share that Sandra Gamarra’s “Pinacoteca Migrante” has opened at the Biblioteca Nacional de España in Madrid. This marks the first time a project from the Spanish Pavilion at the Venice Biennale is presented on Spanish soil.
Curated by Agustín Pérez Rubio, the exhibition critically examines the traditional narratives of museums, highlighting the stories of migrants—human and non-human—that have been historically marginalized.
Through six rooms and a central garden, Gamarra invites us to reflect on colonial legacies, extractivism, and the construction of cultural memory.
Our represented artists in Phaidon’s “Latin American Artists: From 1785 to Now”
Bryce, Sandra Gamarra, Ximena Garrido-Lecca, Andrés Pereira Paz, Rita Ponce de León and Oscar Santillán in Phaidon publication “308 Latinamerican Artists from 1785 to now”