hanging aloe plants and dangling charms
19.03.2026
–
17.04.2026
María José Murillo, William Cordova, Marco Pando, Emperatriz Plácido San Martín, Gabriel Acevedo Velarde, Brus Rubio, Piero Figueroa Bravo
Press release
We walk barefoot; sand fills the streets and courtyards—orange and soft, altering each step. You said the green moon might rise tonight, and if the fog clears, even the fireflies will appear. Among aloe plants and unfamiliar faces, we gather—that’s how charms are made.
I remember the “creole gardens” of Martinique, where many species grew together. Mixing was a way of discovering, you said. Now everything feels entangled—strange, yet familiar.
The Nazca drew the world from above and below. Even snakes rise from beneath. I want to see the horizon again; don’t let go of my hand.
Let’s form a circle and press our eyelids gently until shapes appear—like when we were children. In that shared gesture, we begin to see the same.
– Gabriela Zé
I remember the “creole gardens” of Martinique, where many species grew together. Mixing was a way of discovering, you said. Now everything feels entangled—strange, yet familiar.
The Nazca drew the world from above and below. Even snakes rise from beneath. I want to see the horizon again; don’t let go of my hand.
Let’s form a circle and press our eyelids gently until shapes appear—like when we were children. In that shared gesture, we begin to see the same.
– Gabriela Zé
hanging aloe plants and dangling charms
L. Emperatriz
“Canalizando el poder de transformación”, 2026
Acrylic and oil pastel on openwork wood
120 x 120 cm
María José Murillo
“+-“, 2024
Double-sided warp-faced backstrap weaving; industrial cord, wool, wooden rod, backstrap loom tools
185 x 125 cm
Marco Pando
“Buddleja davidii”, 2025
Oil on canvas and X-ray on photographic paper
80 x 90 cm (c/u)
william cordova
“the order of things (vir-a-co-cha)”, 2025
oil, enamel, carbon paper transfer, collage, paper on canvas mounted on custom wooden frame
113.03 x 85.09 x 3.81 cm
william cordova