Sandra Gamarra Heshiki
Bio/CV
Available works
Sandra Gamarra Heshiki
Sandra Gamarra Heshiki
Sandra Gamarra Heshiki (Lima, 1972) lives between Madrid and Lima. She holds a BFA at the Universidad Católica del Perú in Lima and has a PhD at the Academia de Arte de Cuenca in Spain.
Sandra’s solo shows include: “Pinacoteca Migrante”, National Library of Spain in Madrid; “Pinacoteca Migrante”, Spanish Pavilion at the 60th Venice Biennale, Venice, Italy. “El mundo al revés” 80m2 Livia Benavides gallery, Lima; Museo Amparo, Puebla; Centro Gallego de Arte Contemporáneo (CGAC), Santiago de Compostela; Sala Alcalá 31, Madrid; Museo de Arte de Lima (MALI), Lima; Fundación Rac, Pontevedra; Bass Museum, Miami; Casa de América, Madrid; among many others.
Sandra’s solo shows include: “Pinacoteca Migrante”, National Library of Spain in Madrid; “Pinacoteca Migrante”, Spanish Pavilion at the 60th Venice Biennale, Venice, Italy. “El mundo al revés” 80m2 Livia Benavides gallery, Lima; Museo Amparo, Puebla; Centro Gallego de Arte Contemporáneo (CGAC), Santiago de Compostela; Sala Alcalá 31, Madrid; Museo de Arte de Lima (MALI), Lima; Fundación Rac, Pontevedra; Bass Museum, Miami; Casa de América, Madrid; among many others.
Bio/CV
Sandra Gamarra Heshiki
Sandra Gamarra has participated in collective exhibitions at: “Dorado”, Fundación Proa, Buenos Aires; Inelcom Collection, Madrid; Museo Centro de Arte Reina Sofía, Madrid; 11th Berlin Biennial, Berlin; El Espacio 23, Miami; Museu do louvre Pau Brasil, Sao Paulo; Matadero, Madrid; Royal Academy of Fine Arts of San Fernando, Madrid; Kunstmuseum Wolfsburg, Wolfsburg; Museo de Arte Contemporáneo de Barcelona (MACBA), Barcelona; Museo de Arte Contemporáneo de Castilla y León (MUSAC), Castilla y León; Centro Botín, Santader; Pera Museum, Istanbul; Estación Pinacoteca de Sao Paulo, Sao Paulo; Art Museum of Rio de Janeiro (MAR), Rio de Janeiro; 29th Sao Paulo Biennial, Sao Paulo; 53th Venice Biennial, Venice; Museum of Modern Art (MoMA), New York; among many others.
Gamarra’s work can be found in the following collections: Harvard Art Museums, Massachusetts; Kadist Foundation, San Francisco; Museu de Arte de São Paulo (MASP), Brazil; Instituto Inhotim Collection, Brumadinho; Museo Amparo, Puebla; Museu d’Art Contemporani de Barcelona (MACBA); Museo Nacional Centro de Arte Reina Sofía, Madrid; Centro de Arte Dos de Mayo (CA2M), Madrid; Hamburger Bahnhof Museum, Berlin; Centro Gallego de Arte Contemporáneo (CGAC), Santiago de Compostela; Inelcom Collection, Madrid; Artium, Museo de Arte Contemporáneo del País Vasco, Vitoria-Gasteiz; Botín Foundation, Santander; MALI, Lima; Museum of Art of Rio de Janeiro (MAR), Rio de Janeiro; Museum of Modern Art (MoMA), New York; Museum of Contemporary Art of Castilla y León (MUSAC), Castilla y León; Patio Herreriano Museum, Valladolid; Tate Modern, London; Kunstmuseum, Wolfsburg; among others.
Sandra Gamarra Heshiki’s work has been recently published in Phaidon’s “Great Women Painters”, 2022 and Phaidon’s “Latin American Artists: From 1785 to Now”, 2023.
Gamarra’s work can be found in the following collections: Harvard Art Museums, Massachusetts; Kadist Foundation, San Francisco; Museu de Arte de São Paulo (MASP), Brazil; Instituto Inhotim Collection, Brumadinho; Museo Amparo, Puebla; Museu d’Art Contemporani de Barcelona (MACBA); Museo Nacional Centro de Arte Reina Sofía, Madrid; Centro de Arte Dos de Mayo (CA2M), Madrid; Hamburger Bahnhof Museum, Berlin; Centro Gallego de Arte Contemporáneo (CGAC), Santiago de Compostela; Inelcom Collection, Madrid; Artium, Museo de Arte Contemporáneo del País Vasco, Vitoria-Gasteiz; Botín Foundation, Santander; MALI, Lima; Museum of Art of Rio de Janeiro (MAR), Rio de Janeiro; Museum of Modern Art (MoMA), New York; Museum of Contemporary Art of Castilla y León (MUSAC), Castilla y León; Patio Herreriano Museum, Valladolid; Tate Modern, London; Kunstmuseum, Wolfsburg; among others.
Sandra Gamarra Heshiki’s work has been recently published in Phaidon’s “Great Women Painters”, 2022 and Phaidon’s “Latin American Artists: From 1785 to Now”, 2023.
Available works
“Máscaras Mestizas VI”, 2024
250 x 170 cm
Red iron oxide, oil, press cuttings, wooden mask, alpaca fabric, cotton fabric and imitation gold leaf on canvas
“Extinction VI (Conch Shells on Trujillo Codex)”, 2024
19 x 22 cm each
Oil on facsimile pages of the book “Trujillo del Perú a Fines del Siglo XVII” by Baltasar Jaime Martínez de Compañón.
“Imágenes crocantes sobre un ambiente húmedo. Buen Gobierno X”, 2021
40 x 40 cm
Oil on canvas
“Imágenes crocantes sobre un ambiente húmedo. Buen Gobierno VIII”, 2021
40 x 40 cm
Oil on canvas
“Imágenes crocantes sobre un ambiente húmedo. Buen Gobierno VII”, 2021
40 x 40 cm
Oil on canvas
“Imágenes crocantes sobre un ambiente húmedo. Buen Gobierno VI”, 2021
40 x 40 cm
Oil on canvas
“Imágenes crocantes sobre un ambiente húmedo. Buen Gobierno IV”, 2021
40 x 40 cm
Oil on canvas
“Imágenes crocantes sobre un ambiente húmedo. Buen Gobierno II”, 2021
40 x 40 cm
Oil on canvas
“Criptomnesia VI (o en algunos museos nunca sale el sol)”, 2020
120 x 120 cm
Oil paint and newspaper clippings on canvas
“Cryptomnesia V (or in some museums the sun never shines)”, 2020
120 x 120 cm
Oil and newspaper clippings on canvas
Sandra Gamarra Heshiki
Sandra Gamarra Heshiki (Lima, 1972) lives between Madrid and Lima. She holds a BFA at the Universidad Católica del Perú in Lima and has a PhD at the Academia de Arte de Cuenca in Spain.
Sandra’s solo shows include: “Pinacoteca Migrante”, National Library of Spain in Madrid; “Pinacoteca Migrante”, Spanish Pavilion at the 60th Venice Biennale, Venice, Italy. “El mundo al revés” 80m2 Livia Benavides gallery, Lima; Museo Amparo, Puebla; Centro Gallego de Arte Contemporáneo (CGAC), Santiago de Compostela; Sala Alcalá 31, Madrid; Museo de Arte de Lima (MALI), Lima; Fundación Rac, Pontevedra; Bass Museum, Miami; Casa de América, Madrid; among many others.
Sandra’s solo shows include: “Pinacoteca Migrante”, National Library of Spain in Madrid; “Pinacoteca Migrante”, Spanish Pavilion at the 60th Venice Biennale, Venice, Italy. “El mundo al revés” 80m2 Livia Benavides gallery, Lima; Museo Amparo, Puebla; Centro Gallego de Arte Contemporáneo (CGAC), Santiago de Compostela; Sala Alcalá 31, Madrid; Museo de Arte de Lima (MALI), Lima; Fundación Rac, Pontevedra; Bass Museum, Miami; Casa de América, Madrid; among many others.
Sandra Gamarra Heshiki
Sandra Gamarra has participated in collective exhibitions at: “Dorado”, Fundación Proa, Buenos Aires; Inelcom Collection, Madrid; Museo Centro de Arte Reina Sofía, Madrid; 11th Berlin Biennial, Berlin; El Espacio 23, Miami; Museu do louvre Pau Brasil, Sao Paulo; Matadero, Madrid; Royal Academy of Fine Arts of San Fernando, Madrid; Kunstmuseum Wolfsburg, Wolfsburg; Museo de Arte Contemporáneo de Barcelona (MACBA), Barcelona; Museo de Arte Contemporáneo de Castilla y León (MUSAC), Castilla y León; Centro Botín, Santader; Pera Museum, Istanbul; Estación Pinacoteca de Sao Paulo, Sao Paulo; Art Museum of Rio de Janeiro (MAR), Rio de Janeiro; 29th Sao Paulo Biennial, Sao Paulo; 53th Venice Biennial, Venice; Museum of Modern Art (MoMA), New York; among many others.
Gamarra’s work can be found in the following collections: Harvard Art Museums, Massachusetts; Kadist Foundation, San Francisco; Museu de Arte de São Paulo (MASP), Brazil; Instituto Inhotim Collection, Brumadinho; Museo Amparo, Puebla; Museu d’Art Contemporani de Barcelona (MACBA); Museo Nacional Centro de Arte Reina Sofía, Madrid; Centro de Arte Dos de Mayo (CA2M), Madrid; Hamburger Bahnhof Museum, Berlin; Centro Gallego de Arte Contemporáneo (CGAC), Santiago de Compostela; Inelcom Collection, Madrid; Artium, Museo de Arte Contemporáneo del País Vasco, Vitoria-Gasteiz; Botín Foundation, Santander; MALI, Lima; Museum of Art of Rio de Janeiro (MAR), Rio de Janeiro; Museum of Modern Art (MoMA), New York; Museum of Contemporary Art of Castilla y León (MUSAC), Castilla y León; Patio Herreriano Museum, Valladolid; Tate Modern, London; Kunstmuseum, Wolfsburg; among others.
Sandra Gamarra Heshiki’s work has been recently published in Phaidon’s “Great Women Painters”, 2022 and Phaidon’s “Latin American Artists: From 1785 to Now”, 2023.
Gamarra’s work can be found in the following collections: Harvard Art Museums, Massachusetts; Kadist Foundation, San Francisco; Museu de Arte de São Paulo (MASP), Brazil; Instituto Inhotim Collection, Brumadinho; Museo Amparo, Puebla; Museu d’Art Contemporani de Barcelona (MACBA); Museo Nacional Centro de Arte Reina Sofía, Madrid; Centro de Arte Dos de Mayo (CA2M), Madrid; Hamburger Bahnhof Museum, Berlin; Centro Gallego de Arte Contemporáneo (CGAC), Santiago de Compostela; Inelcom Collection, Madrid; Artium, Museo de Arte Contemporáneo del País Vasco, Vitoria-Gasteiz; Botín Foundation, Santander; MALI, Lima; Museum of Art of Rio de Janeiro (MAR), Rio de Janeiro; Museum of Modern Art (MoMA), New York; Museum of Contemporary Art of Castilla y León (MUSAC), Castilla y León; Patio Herreriano Museum, Valladolid; Tate Modern, London; Kunstmuseum, Wolfsburg; among others.
Sandra Gamarra Heshiki’s work has been recently published in Phaidon’s “Great Women Painters”, 2022 and Phaidon’s “Latin American Artists: From 1785 to Now”, 2023.
“Máscaras Mestizas VI”, 2024
250 x 170 cm
Red iron oxide, oil, press cuttings, wooden mask, alpaca fabric, cotton fabric and imitation gold leaf on canvas
“Extinction VI (Conch Shells on Trujillo Codex)”, 2024
19 x 22 cm each
Oil on facsimile pages of the book “Trujillo del Perú a Fines del Siglo XVII” by Baltasar Jaime Martínez de Compañón.
“Imágenes crocantes sobre un ambiente húmedo. Buen Gobierno X”, 2021
40 x 40 cm
Oil on canvas
“Imágenes crocantes sobre un ambiente húmedo. Buen Gobierno VIII”, 2021
40 x 40 cm
Oil on canvas
“Imágenes crocantes sobre un ambiente húmedo. Buen Gobierno VII”, 2021
40 x 40 cm
Oil on canvas
“Imágenes crocantes sobre un ambiente húmedo. Buen Gobierno VI”, 2021
40 x 40 cm
Oil on canvas
“Imágenes crocantes sobre un ambiente húmedo. Buen Gobierno IV”, 2021
40 x 40 cm
Oil on canvas
“Imágenes crocantes sobre un ambiente húmedo. Buen Gobierno II”, 2021
40 x 40 cm
Oil on canvas
“Criptomnesia VI (o en algunos museos nunca sale el sol)”, 2020
120 x 120 cm
Oil paint and newspaper clippings on canvas
“Cryptomnesia V (or in some museums the sun never shines)”, 2020
120 x 120 cm
Oil and newspaper clippings on canvas