Gabriel Acevedo Velarde
Bio/CV
Available works
Gabriel Acevedo Velarde
Gabriel Acevedo Velarde
(Lima, 1976) Gabriel Acevedo Velarde’s installations, videos and drawings are affected by the coincidence of subjective and historical forces that seem irrevocably alien, but that end up being summoned in images and stories of remarkable psychological inventiveness. His peculiarity lies in creating a territory of sensitive and intellectual excitement that is difficult to categorize as it brings connections that escape any academic orthodoxy.
Bio/CV
Gabriel Acevedo Velarde
Gabriel Acevedo Velarde (Lima, 1976) lives and works in Lima.
His recent solo exhibitions include Proyecto AMIL (2022); Mori Art Museum, Tokyo (2014); Museo Nacional Centro de Arte Reina Sofía, Madrid (2013); Museo Experimental El Eco, Mexico City (2012) and Museu de Arte Moderna, Sao Paulo. Acevedo has participated in numerous group exhibitions such as Museo Nacional Centro de Arte Reina Sofía (2021), Madrid, temporary inclusion of “Ciudadano Paranormal” in the permanent collection’s exhibition; Museo de Arte de Lima (2021); E-fux, NY (2015); LiMac, Madrid (2015); Paço das Artes, São Paulo (2015); Künstlerhaus Bethainen, Berlin (2012); Fundación Proa, Buenos Aires (2012); Yerba Buena Center for the Arts, San Francisco (2011); the Lyon Biennial (2011); the Biennial of São Paulo (2010); Museum of Fine Arts, Houston (2010); Temporäre Kunsthalle, Berlin (2010); the Mercosul Biennial, (2009); Museo Carrillo Gil, Mexico City (2009); the Triennial of Guangzhou (2008) ; Working Rooms Project Space, London (2008), among others.
He received grants from the Rockefeller Foundation, the Jumex Foundation, the Media Arts Foundation and The Shifting Foundation.
His work is part of the following collections: Museo de Arte de Lima – MALI in Lima, LACMA in Los Angeles; São Paulo Pinacoteca; MALBA in Buenos Aires; Museum of Fine Arts in Houston; JP Morgan Chase Art Collection; Poju Zabludowicz Collection, among others.
His recent solo exhibitions include Proyecto AMIL (2022); Mori Art Museum, Tokyo (2014); Museo Nacional Centro de Arte Reina Sofía, Madrid (2013); Museo Experimental El Eco, Mexico City (2012) and Museu de Arte Moderna, Sao Paulo. Acevedo has participated in numerous group exhibitions such as Museo Nacional Centro de Arte Reina Sofía (2021), Madrid, temporary inclusion of “Ciudadano Paranormal” in the permanent collection’s exhibition; Museo de Arte de Lima (2021); E-fux, NY (2015); LiMac, Madrid (2015); Paço das Artes, São Paulo (2015); Künstlerhaus Bethainen, Berlin (2012); Fundación Proa, Buenos Aires (2012); Yerba Buena Center for the Arts, San Francisco (2011); the Lyon Biennial (2011); the Biennial of São Paulo (2010); Museum of Fine Arts, Houston (2010); Temporäre Kunsthalle, Berlin (2010); the Mercosul Biennial, (2009); Museo Carrillo Gil, Mexico City (2009); the Triennial of Guangzhou (2008) ; Working Rooms Project Space, London (2008), among others.
He received grants from the Rockefeller Foundation, the Jumex Foundation, the Media Arts Foundation and The Shifting Foundation.
His work is part of the following collections: Museo de Arte de Lima – MALI in Lima, LACMA in Los Angeles; São Paulo Pinacoteca; MALBA in Buenos Aires; Museum of Fine Arts in Houston; JP Morgan Chase Art Collection; Poju Zabludowicz Collection, among others.
Available works
” What do they not want us to see? What do we not want to see? VI”, 2023
99 x 99 cm
Acrylic on canvas
“What do they not want us to see? What do we not want to see? X”, 2023
99 x 99 cm
Acrylic on canvas
“What do they not want us to see? What do we not want to see? IX”, 2023
99 x 99 cm
Acrylic on canvas
“What do they not want us to see? What do we not want to see? V”, 2023
99 x 99 cm
Acrylic on canvas
“Estrella de pop adrógina como servicio público I”, 2019
40 x 32 cm
Laminated plastic, papier mâché, acrylic paint, acrylic sheet, plastic buttons, paper, MDF, polystyrene
“Estrella de pop adrógina como servicio público III”, 2019
45 x 37 cm
Laminated plastic, papier mâché, acrylic paint, acrylic sheet, plastic buttons, paper, MDF, polystyrene
“Difusor de sonido para una nueva acústica institucional V”, 2018
80 x 80 x 19 cm
Wood veneers from ash tree’s roots, silk screen print on paper with “Spugnato” pattern by Etore Sottsass, MDF, cedar, laurel and oak wood frame
“Difusor de sonido para una nueva acústica institucional III”, 2018
80 x 80 x 18 cms
Wood veneers from ash tree’s roots, silk screen print on paper with “Bacterio” pattern by Etore Sottsass, MDF, wood frame
“Reapertura del Aeropuerto de Limatambo VIII”, 2016
57 x 34 cm
MDF, cardboard, cork, ink drawing on paper, corduroy and plastic
“Reapertura del Aeropuerto de Limatambo X”, 2016
48 x 59 cm
Melamine chipboard, MDF, glass, ink drawing on paper, flannel, plastic reflective lenses
“Hallway of documents and promotional images”, 2015
42 x 29,4 cm
Tempera, gouache and ink on paper
“Hallway of documents and promotional images”, 2015
42 x 29,4 cm
Tempera, gouache and ink on paper
“Hallway of documents and promotional images”, 2015
42 x 29,4 cm
Tempera, gouache and ink on paper
“Hallway of documents and promotional images”, 2015
42 x 29,4 cm
Tempera, gouache and ink on paper
“Hallway of documents and promotional images”, 2015
42 x 29,4 cm
Tempera, gouache and ink on paper
“Hallway of documents and promotional images”, 2015
42 x 29,4 cm
Tempera, gouache and ink on paper
“Hallway of documents and promotional images”, 2015
42 x 29,4 cm
Tempera, gouache and ink on paper
“Hallway of documents and promotional images”, 2015
42 x 29.4 cm
Tempera, gouache and ink on paper
Gabriel Acevedo Velarde
(Lima, 1976) Gabriel Acevedo Velarde’s installations, videos and drawings are affected by the coincidence of subjective and historical forces that seem irrevocably alien, but that end up being summoned in images and stories of remarkable psychological inventiveness. His peculiarity lies in creating a territory of sensitive and intellectual excitement that is difficult to categorize as it brings connections that escape any academic orthodoxy.
Gabriel Acevedo Velarde
Gabriel Acevedo Velarde (Lima, 1976) lives and works in Lima.
His recent solo exhibitions include Proyecto AMIL (2022); Mori Art Museum, Tokyo (2014); Museo Nacional Centro de Arte Reina Sofía, Madrid (2013); Museo Experimental El Eco, Mexico City (2012) and Museu de Arte Moderna, Sao Paulo. Acevedo has participated in numerous group exhibitions such as Museo Nacional Centro de Arte Reina Sofía (2021), Madrid, temporary inclusion of “Ciudadano Paranormal” in the permanent collection’s exhibition; Museo de Arte de Lima (2021); E-fux, NY (2015); LiMac, Madrid (2015); Paço das Artes, São Paulo (2015); Künstlerhaus Bethainen, Berlin (2012); Fundación Proa, Buenos Aires (2012); Yerba Buena Center for the Arts, San Francisco (2011); the Lyon Biennial (2011); the Biennial of São Paulo (2010); Museum of Fine Arts, Houston (2010); Temporäre Kunsthalle, Berlin (2010); the Mercosul Biennial, (2009); Museo Carrillo Gil, Mexico City (2009); the Triennial of Guangzhou (2008) ; Working Rooms Project Space, London (2008), among others.
He received grants from the Rockefeller Foundation, the Jumex Foundation, the Media Arts Foundation and The Shifting Foundation.
His work is part of the following collections: Museo de Arte de Lima – MALI in Lima, LACMA in Los Angeles; São Paulo Pinacoteca; MALBA in Buenos Aires; Museum of Fine Arts in Houston; JP Morgan Chase Art Collection; Poju Zabludowicz Collection, among others.
His recent solo exhibitions include Proyecto AMIL (2022); Mori Art Museum, Tokyo (2014); Museo Nacional Centro de Arte Reina Sofía, Madrid (2013); Museo Experimental El Eco, Mexico City (2012) and Museu de Arte Moderna, Sao Paulo. Acevedo has participated in numerous group exhibitions such as Museo Nacional Centro de Arte Reina Sofía (2021), Madrid, temporary inclusion of “Ciudadano Paranormal” in the permanent collection’s exhibition; Museo de Arte de Lima (2021); E-fux, NY (2015); LiMac, Madrid (2015); Paço das Artes, São Paulo (2015); Künstlerhaus Bethainen, Berlin (2012); Fundación Proa, Buenos Aires (2012); Yerba Buena Center for the Arts, San Francisco (2011); the Lyon Biennial (2011); the Biennial of São Paulo (2010); Museum of Fine Arts, Houston (2010); Temporäre Kunsthalle, Berlin (2010); the Mercosul Biennial, (2009); Museo Carrillo Gil, Mexico City (2009); the Triennial of Guangzhou (2008) ; Working Rooms Project Space, London (2008), among others.
He received grants from the Rockefeller Foundation, the Jumex Foundation, the Media Arts Foundation and The Shifting Foundation.
His work is part of the following collections: Museo de Arte de Lima – MALI in Lima, LACMA in Los Angeles; São Paulo Pinacoteca; MALBA in Buenos Aires; Museum of Fine Arts in Houston; JP Morgan Chase Art Collection; Poju Zabludowicz Collection, among others.
” What do they not want us to see? What do we not want to see? VI”, 2023
99 x 99 cm
Acrylic on canvas
“What do they not want us to see? What do we not want to see? X”, 2023
99 x 99 cm
Acrylic on canvas
“What do they not want us to see? What do we not want to see? IX”, 2023
99 x 99 cm
Acrylic on canvas
“What do they not want us to see? What do we not want to see? V”, 2023
99 x 99 cm
Acrylic on canvas
“Estrella de pop adrógina como servicio público I”, 2019
40 x 32 cm
Laminated plastic, papier mâché, acrylic paint, acrylic sheet, plastic buttons, paper, MDF, polystyrene
“Estrella de pop adrógina como servicio público III”, 2019
45 x 37 cm
Laminated plastic, papier mâché, acrylic paint, acrylic sheet, plastic buttons, paper, MDF, polystyrene
“Difusor de sonido para una nueva acústica institucional V”, 2018
80 x 80 x 19 cm
Wood veneers from ash tree’s roots, silk screen print on paper with “Spugnato” pattern by Etore Sottsass, MDF, cedar, laurel and oak wood frame
“Difusor de sonido para una nueva acústica institucional III”, 2018
80 x 80 x 18 cms
Wood veneers from ash tree’s roots, silk screen print on paper with “Bacterio” pattern by Etore Sottsass, MDF, wood frame
“Reapertura del Aeropuerto de Limatambo VIII”, 2016
57 x 34 cm
MDF, cardboard, cork, ink drawing on paper, corduroy and plastic
“Reapertura del Aeropuerto de Limatambo X”, 2016
48 x 59 cm
Melamine chipboard, MDF, glass, ink drawing on paper, flannel, plastic reflective lenses
“Hallway of documents and promotional images”, 2015
42 x 29,4 cm
Tempera, gouache and ink on paper
“Hallway of documents and promotional images”, 2015
42 x 29,4 cm
Tempera, gouache and ink on paper
“Hallway of documents and promotional images”, 2015
42 x 29,4 cm
Tempera, gouache and ink on paper
“Hallway of documents and promotional images”, 2015
42 x 29,4 cm
Tempera, gouache and ink on paper
“Hallway of documents and promotional images”, 2015
42 x 29,4 cm
Tempera, gouache and ink on paper
“Hallway of documents and promotional images”, 2015
42 x 29,4 cm
Tempera, gouache and ink on paper
“Hallway of documents and promotional images”, 2015
42 x 29,4 cm
Tempera, gouache and ink on paper