His practice explores narrative and material experimentation to investigate the boundaries between reality, fiction, myth and culture, influenced by his transit between Latin America and the Western world. He examines processes of hybridization in contemporary art and culture, including literature, design and popular art, as ways to reflect on identity and historical construction. His work is developed through the transformation of materials, fieldwork, archival research and recontextualization of artisan methods, exploring familiar and unknown territories from a poetic, ecological and critical perspective.

His recent solo exhibitions include “Stone Skin-Stone Skeleton”, Crisis Galería, Lima (2024); “Le Jardín de Ciro”, Centre Céramique Contemporaine La Borne, Henrichemont, France (2024); and “Derritiente para todos los colores”, Jorge Lopez Gallery, Valencia (2024). His recent group exhibitions include “A media lumbre”, Institut Valencià d’Art Modern (IVAM), Valencia (2026); “interior corridors”, Livia Benavides Gallery, Lima (2026); “Itinerarios XXX”, Centro Botín, Santander (2025); “Award 5”, Fondazione Officine Saffi, Milan (2024); ARCOmadrid, Jorge Lopez Gallery, Madrid (2024); ARCOmadrid, Crisis Gallery, Madrid (2023); Generation 2021, La Casa Encendida, Madrid (2021); among others.

Bravo de Rueda’s work is held in collections including Fundación ARCO, Madrid; Fundación Montemadrid, Madrid; Fundación BilbaoArte, Bilbao; Fondazione Officine Saffi, Milan; and Kunsthandel Giese & Schweiger, Vienna; among others.

He has received the Main Prize, Fondazione Officine Saffi, Milan (2024); Botín Foundation Grant, Santander (2023); Generación 2021, Montemadrid Foundation, Madrid (2021); and Revealed Spaces, Siemens Stiftung, Peru (2021); among others.