Sandra Gamarra Heshiki

(Lima, 1972) Sandra Gamarra Heshiki’s practice makes reference to cultural production as a construction in balance. The constant use of painting in Gamarra, always camouflaged or hybrid, acts as a mirror that alters the exhibition formats, narratives and the concept of cultural property. In 2002, she created the LiMac, a museum project, in response to the cultural institutional void in Peru. Since then the museum has been presented in various forms: souvenirs, publications, exhibitions, architectural plans, collections, paintings or on its website (www.li-mac.org). Since it lacks a permanent space the museum is installed in different cities and adapts to the nature of each place of reception.

Sandra Gamarra Heshiki

(Lima, 1971) Lives and works in Madrid. 
Recent exhibitions: Museo Arte São Paulo – MASP; Amparo Museum, Mexico. 

Gamarra is currently participating in the following individual exhibitions: “Buen Gobierno” at Centro Gallego de Arte Contemporáneo (CGAC), Santiago de Compostela, Spain; “Producción/Reproducción at Museo de Arte de Lima (MALI). Her solo exhibitions include: Sala Alcalá, Madrid; Museo de Arte de Lima (MALI), Peru; Bass Museum, Miami; Leme Gallery, São Paulo; Casa de América, Spain; among many others. She has participated in collective exhibitions at Museo Nacional Centro de Arte Reina Sofia, Madrid; 11th Berlin Biennale; Kunstmuseum, Wolfsburg; Museum of Contemporary Art of Barcelona (MACBA), Spain; Museum of Contemporary Art of Castilla y Leon (MUSAC); Pera Museum, Istanbul; Art Museum of Rio de Janeiro (MAC), Brazil; Museum of Contemporary Art (MAC), Lima; Museo de Arte de Lima (MALI), Peru; National Museum of Fine Arts, Buenos Aires; São Paulo Pinacoteca Station, Brazil; Matadero, Madrid; Royal Academy of Fine Arts of San Fernando, Madrid; Museu do Louvre Pau-Brazil, São Paulo; among many others. 

Her work can be found in the following collections: Tate Modern, London; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Modern Art (MoMA), New York; CA2M Centro de Arte Dos de Mayo, Madrid; Hamburger Bahnhof Museum, Berlin; Museu d’Art Contemporani de Barcelona (MALBA), Spain; Madrid; Fundación Botín, Santander; Museum of Art of Rio de Janeiro (MAR), Brazil; Museum of Contemporary Art of Castilla y Leon (MUSAC), Spain; Kunstmuseum, Wolfsburg;  MALI – Museo de Arte de Lima; among many others.

Portafolio

CV

“Extinction V (Coca Leaves on Trujillo Codex)”, 2024
19 x 22 cm each
Oil on facsimile pages of the book “Trujillo del Perú a Fines del Siglo XVII” by Baltasar Jaime Martínez de Compañón.
“Extinction VI (Conch Shells on Trujillo Codex)”, 2024
19 x 22 cm each
Oil on facsimile pages of the book “Trujillo del Perú a Fines del Siglo XVII” by Baltasar Jaime Martínez de Compañón.
“El mundo al revés V”, 2023
150 x 100 cm
Indian red iron oxide and oil on canvas
“El mundo al revés IX”, 2023
120 x 120 cm
Black iron oxide and oil on canvas
“Imágenes crocantes sobre un ambiente húmedo. Buen Gobierno VI”, 2021
40 x 40 cm
Oil on canvas
“Imágenes crocantes sobre un ambiente húmedo. Buen Gobierno II”, 2021
40 x 40 cm
Oil on canvas
“Imágenes crocantes sobre un ambiente húmedo. Buen Gobierno X”, 2021
40 x 40 cm
Oil on canvas
“Imágenes crocantes sobre un ambiente húmedo. Buen Gobierno IV”, 2021
40 x 40 cm
Oil on canvas
“Escritura sobre la Naturaleza Muerta VI”, 2019
120 x 80 cm
Oil on canvas
“Escritura sobre la Naturaleza Muerta II”, 2019
80 x 120 cm
Oil on canvas
“Cryptomnesia V (or in some museums the sun never shines)”, 2020
120 x 120 cm
Oil and newspaper clippings on canvas
“What are you looking for? IV”, 2017
150 x 150 cm
Oil on canvas
“Mercancia II (Museo)”, 2017
80 x 120 cm
Oil on canvas
“Doble Dos”, 2011
133 x 162 cm
Oil on canvas
“Gabinete no14 (Consold)”, 2006
90 x 130 cm
Oil on canvas
“Detalle no3 (oscuro)”, 2006
160 x 200 cm
Oil on canvas

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