Brussels: To craft and to name. Creating ways to relate to each other

28.04.2022

06.06.2022
Group Show
In Peru, as in many other post-pandemic contexts, the sense of urgency towards understanding the various crises our planet faces has been stressed after a global health emergency. This difficult extended period has proven how many risks of our own making we face; How difficult it is to make sense of them and feel them as ours beyond the daily anxiety that apocalyptic semantics of crisis causes us. Facing very particular categories of political, economic, climate and social crises in the last five years, many Peruvian artists have attempted to make sense of the emergency process. They have done so by crafting semantic utopias through writing and material experimentation or announcing the end of times through readings of speculative understandings of contemporary societies. Both strategies’ heart lies in a linguistic desire and needs to recraft ways to relate to each other. To make sense of each other’s crisis contexts, keep each other company on either the route to the end of times or in the arduous labour of crafting different futures.

Giselle Girón

Brussels: To craft and to name. Creating ways to relate to each other

28.04.2022

06.06.2022
1.OAK_80M2_202204-003s_m
Sandra Gamarra
Recurso
Óxido de hierro sobre lienzo
130 x 160 cm
1A.Tejada-Herrera-Walo Wala 3
Elena Tejada-Herrera
From the series Portraits as a minimalist painting, 2019
Tinta sobre papel
36 x 26 cm
2.etejada_23
Elena Tejada-Herrera
Untitled
Charcoal on paper
36 x 26 cm
3.etejada_31
Elena Tejada-Herrera
Untitled
Ink on paper
31 x 41 cm
8.red_envío_Livia_01
Ximena Garrido-Lecca
“Modulaciones: Gasa con trama flotante”, 2022
Soguilla de cobre
186 x 124 cm
2.xgarridolecca_66_08
“Redes de conversión: Diamante de satén simétrico (morado y amarillo)”, 2021
Cables de cobre revestido y panel LED
138 x 100 cm
3.xgarridolecca_67_11
Ximena Garrido-Lecca
“Redes de conversión: Puntadas de enlace sobre elemento de base (morado, rojo y gris)”, 2021
Cables de cobre revestido y panel LED
178 x 110 cm
8.jvera_152_01
José Vera Matos
Hand transcription of Gilles Deleuze and Félix Guattari’s book “A thousand Plateaus”
Stylographs on cotton paper
65 x 50 cm
11.jvera_150 copia
José Vera Matos
Hand transcription of Gilles Deleuze and Félix Guattari’s book “A thousand Plateaus”, 2022
Stylographs on cotton paper
65 x 50 cm
12.jvera_148_01
José Vera Matos
Hand transcription of Gilles Deleuze and Félix Guattari’s book “A thousand Plateaus”, 2022
Stylographs on cotton paper
65 x 50 cm
13.jvera_146_01
José Vera Matos
Hand transcription of Gilles Deleuze and Félix Guattari’s book “A thousand Plateaus”, 2022
Stylographs on cotton paper
65 x 50 cm
14.jvera_144_01
José Vera Matos
Hand transcription of Gilles Deleuze and Félix Guattari’s book “A thousand Plateaus”, 2022
Stylographs on cotton paper
65 x 50 cm
15.jvera_0145 copia
José Vera Matos
Hand transcription of Gilles Deleuze and Félix Guattari’s book “A thousand Plateaus”, 2022
Stylographs on cotton paper
65 x 50 cm
16.jvera_147_01
José Vera Matos
Hand transcription of Gilles Deleuze and Félix Guattari’s book “A thousand Plateaus”, 2022
Stylographs on cotton paper
50 x 65 cm
17.OAK_80M2_202204-011sm
Jimena Chávez Delion
“Me detuve aquí por un momento y seguí”, 2022
Plastic watch straps, cables and stainless steel
183 x 134 x 5 cm
18.OAK_80M2_202204-006sm
Fátima Rodrigo
Contradanza 2
Fabric scraps, metallic thread
115 x 160 cm
frodrigo_30
Fátima Rodrigo
“Holograma III”, 2021
Polished bronze and sequins
113 x 46.5 cm
20.frodrigo_31
Fátima Rodrigo
“Holograma V”, 2021
Polished bronze and beads
78 x 15 cm

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