Eariki

22.05.2024

04.08.2024
Chonon Bensho
In “Eariki”, Chonon Bensho exposes a fundamental problem: the lack of recognition, by the modern States of the region, of the indigenous nations as linguistic groups, and culturally different from the projects of nationalism. Chonon’s gesture, however, should not be read as a rejection of modernity or as a radical “decolonization”; rather, from the moment a person litigates against the state through institutional means, they are accepting and assimilating its dynamics of negotiation. Chonon’s political proposal, therefore, is not a dream of returning to the way of life of her ancestors, nor is it a denial of the transformations brought about by the expansion of modernity. Rather, it is about finding a way to participate in modernity and to be recognized as a citizen with full rights, without losing her indigenous roots and her cultural differences with national and global society.

Eariki

22.05.2024

04.08.2024
Chonon Bensho
“Ronin Kene II”, 2024
Embroidery on fabric
128 x 172 cm
Chonon Bensho
“Ronin Kene III”, 2024
Embroidery on fabric
128 x 172 cm
Chonon Bensho
“Shewa”, 2024
Woven beads
126 x 138 cm
“Eariki (Green Identity Document)”, 2024
Embroidery on fabric with silkscreen printing
137 x 151 cm
Chonon Bensho
“Eariki (Green Passport)”, 2024
Embroidery on fabric with silkscreen printing
128 x 151 cm
Chonon Bensho
“Eariki (Green Peru)”, 2024
Embroidery on fabric with silkscreen printing
141 x 95 cm
Chonon Bensho
“Eariki (Green Chonon)”, 2024
Embroidery on fabric with silkscreen printing
142,5 x 68 cm
Chonon Bensho
“Eariki (Green Konibo)”, 2024
Embroidery on fabric with silkscreen printing
140 x 94 cm
Chonon Bensho
“Ainbo I”, 2024
Ink and colored pencils on paper
41 x 31 cm
Chonon Bensho
“Ainbo V”, 2024
Ink and colored pencils on paper
41 x 31 cm
Chonon Bensho
“Joni II”, 2024
Ink and colored pencils on paper
41 x 31 cm
Chonon Bensho
“Tita Betan Bake”, 2024
Ink and colored pencils on paper
41 x 31 cm

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