Tarzán de macetero

25.08.2022

12.11.2022
Marco Pando
Marco Pando has been developing a trajectory based on the development of alter-egos who, as protagonists of their own narratives, reveal details of their contexts and simultaneously articulate works that from their beginnings are linked to each other by maintaining a dialogue with the culture institution from two key areas: the museum and cinema… both – cultural constructions or machines – constitute both modellers of meaning and generators of imaginaries. Thus, exhibitions such as “Cultural Conqueror” (2017) and “Museum Tomb Raider ” (2019) each denote an active character that slips into the different works presented. This is where the details of one work can be traced in different ways in others, thus establishing a complex and open interrelationship in proposals with no apparent formal link but articulated from an elastic narrative. These characterizations constitute developments from a mise-en-scène crossed by the experience of cinematography – which is a crucial element in the artist’s biography.

Carlos León-Xjimenez
Berlin. August 2022

Tarzán de macetero

25.08.2022

12.11.2022
Marco Pando
“Untitled”, 2022
Beeswax dyed on carpet
132 x 120.5 cm
Marco Pando
“Fountain water monsters”, 2022
Oil on wood
85 x 85 cm
Marco Pando
“Invasive Exotic: Ulex Europaeus”, 2022
Oil on canvas
198 x 195 cm
Marco Pando
“Karaoke Dracula”, 2019
Drawing and painting on paper mounted on canvas
220 x 165 cm
Marco Pando
“Dionysus”, 2019
Drawing and painting on paper mounted on canvas
165 x 160 cm

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