Elena Damiani

Elena Damiani was born in 1979 in Lima, where she lives and works. Damiani has participated in multiple international biennales, including the Seoul Mediacity Biennial (2023), Cuenca Biennial (2018, 2016), Gwangju Biennial (2016), Venice Bienniale, Vienna Biennale and IV Poly/Graphic San Juan Triennial (all 2015), Bienal de la Imagen y Movimiento, Buenos Aires (2014) and Mercosul Biennial (2013). Her work was included in the Aichi Triennial 2025, as well as the December Exhibition at El Espacio 23 in Miami.

Elena Damiani

Recent solo exhibitions include Galerie Nordenhake Berlin (2023), the Americas Society New York (perma- nent installation), Museo de Arte de Contemporáneo, Lima (both 2022), Chrysler Museum of Art, Norfolk (2017), Museo Amparo, Puebla (2016), Museo Universitario Arte Contemporáneo, Mexico City (2015).

Noteworthy group exhibitions include MoMA Museum of Modern Art, New York, Museo De Arte Contem- poráneo De Monterrey, Mexico, Museo de Arte Contemporáneo de Oaxaca, Mexico, and Heide Museum of Modern Art, Melbourne (all 2023), Museo de Arte Zapopan, Guadalajara (2022), PIVO, São Paulo (2022), The Isabel and Agustín Coppel Collection, Mexico City (2020), DePaul Art Museum, Chicago (2020), Galleria Nazionale d’Arte Moderna, Rome (2019), Museum of Contemporary Art Cleveland, Ohio (2018), Garage Mu- seum of Contemporary Art, Moscow (2015), Museum of Contemporary Art, Detroit (2015), Museo Tamayo Arte Contemporáneo, Mexico City (2013), Museo de Arte Moderno de Buenos Aires (2007), IVAM Instituto Valenciano de Arte Moderno (2007),Valencia and Kunstmuseum Bonn (2006) among others.

Elena Damiani was awarded the Grants & Commissions Program, CIFO Cisneros Fontanals Art Foundation, Miami (2016) and the commission for the David Rockefeller Atrium, Americas Society, New York (2014). Her works can be found in public collections including MoMA, New York; Museo de Arte de Lima; Galle- ria Nazionale d’Arte Moderna, Rome; Thyssen-Bornemisza Art Contemporary Collection, Madrid; Perez Art Museum, Miami; Patricia Phelps de Cisneros Collection, New York and Caracas; Museo Tamayo Arte Con- temporáneo, Mexico City; Kadist Art Foundation San Francisco and Paris; Fototeca Latinoamericana; and Cisneros Fontanals Art Foundation, Miami.

Portafolio

CV

“Fading Field N13”, 2019
206.10 × 291 × 58 cm
Digital print on silk chiffon, wood structure, black paint on wall
“Transito 9”, 2020
24 × 37 cm
Coloured pencils on found map
“The Erratic Marbles XI”, 2024
Series of 18 (each): 44.2 × 35.2 × 3.5 cm
Inkjet print on cotton paper, inkjet print on alpha-cellulose paper
“Filters N15”, 2019
90 × 65 × 3 cm
Spinella quartzite, brass, steel
“Filters N17”, 2019
90 × 65 × 3 cm
Camila travertine, brass, steel
“Aeolian Maps III”, 2019
65 × 81 cm (framed) – Edition 1/3 + I AP
G print on cotton paper
“Aeolian Maps II”, 2019
65 × 81 cm (framed) – Edition 1/3 + I AP
G print on cotton paper
“Aeolian Maps I”, 2019
65 × 81 cm (framed) – Edition 1/3 + I AP
G print on cotton paper
“Ventifacts 8”, 2025
3 elements: 28 × 28 × 42 cm (20 kg) / 28 × 28 × 42 cm (20 kg) / 28 × 28 × 48 cm (20 kg)
Hand-carved onyx

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