Her solo exhibitions include an upcoming exhibition at the Barbican Centre, London; and current commissions including a large-scale sculptural commission at the High Line Plinth, New York, and Signal Interludes, The Luminary, St. Louis, as part of Counterpublic 2026: Coyote Time. Her recent solo exhibitions include Seedings, Wexner Center for the Arts, Columbus; Germinations, The Renaissance Society, Chicago; Exchange Value; Inflorescence, Portikus, Frankfurt; Redes de Conversión, Livia Benavides Gallery, Lima; the 34th São Paulo Biennial (Faz escuro mas eu canto); Spectres of Reference, Orange County Museum of Art (OCMA), California; Botanical Readings: Erythroxylum coca, Proyecto AMIL, Lima; Native States, MALBA, Buenos Aires; Botanical Insurgencies: Phaseolus lunatus, SAPS (Sala de Arte Público Siqueiros), Mexico City; Smoke Architecture, Livia Benavides, Lima; Los Suelos, MATE (Museo Mario Testino), Lima; Paisaje Antrópico, Max Wigram Gallery, London (2012); a solo project at Middlesbrough Institute of Modern Art; and El Porvenir, Mimmo Scognamiglio Arte Contemporanea, Milan.

Her recent group exhibitions include Signal and Strata, Carpenter Center, Cambridge; Land and Soil, Kunstsammlung Nordrhein-Westfalen (K21), Düsseldorf; BOG25 International Biennial of Art and City, Bogotá; Sharjah Biennial 16, United Arab Emirates; SITE Santa Fe International, New Mexico; Nordenhake Gallery, Mexico City; Madre Museum, Naples; Lima Art Museum (MALI), Lima; the 34th São Paulo Biennial; Jumex Museum, Mexico City; Zapopan Art Museum, Guadalajara; Staatsgalerie Stuttgart; Art Gallery of Guelph, Ontario; El Espacio 23, Miami; Centre Pompidou, Chengdu; CRAC Alsace, Altkirch; SALTS, Basel; the 26th International Exhibition of Video and Cinema, Milan; Museum of Contemporary Art Detroit (MOCAD); the 10th Mercosul Biennial (Messages from a New America), Porto Alegre; Museo de Antioquia, Medellín; Future Generation Art Prize, Pinchuk Art Centre, Kyiv; Biennial of the Moving Image, Buenos Aires; Cartagena de Indias Biennial; the Central Academy of Fine Arts Museum Biennale, Beijing; the 12th Cuenca Biennial; International Biennale of Arezzo; and Saatchi Gallery, London; among others.

Her works are included in public collections such as Guggenheim, New York; Tate Modern, London; Boros Collection, Berlin; Middlesbrough Institute of Modern Art, United Kingdom; Kadist Foundation, Paris and San Francisco; Saatchi & Saatchi Art Collection, United Kingdom; Lima Art Museum, Peru; and Collection du FRAC des Pays de la Loire, France; among others.

Garrido-Lecca’s work has been recently published in Phaidon’s Latin American Artists: From 1785 to Now (2023).