Sandra Gamarra Heshiki, Fernando Bryce, Andrés Pereira Paz and José Vera Matos at “Antes de América” at Juan March Foundation
13.10.2023
This exhibition illustrates a long process based on sources dating back to long before Europeans christened an entire continent America: that of the reinterpretation, in modern and contemporary culture, of the forms and meanings of ancient civilisations and indigenous cultures, from Alaska to Patagonia.
The exhibition begins in the 18th century, documenting scientific expeditions and archaeological discoveries, the formation of the first collections and historicist architecture. It continues with the Americanist dimension of identity which, at the beginning of the 20th century, reinterpreted pre-Columbian knowledge and languages in materials for school education and gave rise to schools of arts and crafts, transforming graphic design, literature, theatre, cinema, music and fashion. It also addresses the plastic proposals that, in the middle of the last century, recovered or invented “the ancestral”, when new “travelling artists” ventured to America and explored it, collected their findings and recorded them with drawings and photographs that impregnated their own works.
The exhibition extends to the present day, revealing how the Amerindian paradigm throughout the world seems to show no signs of tiring: it survives in the conscious use of geometry and colour, in the critical or ironic quotation of the past, in performance, postmodern architectures with indigenous roots, intentional kitsch, the refinement of conceptual art, new artistic behaviours and the sophisticated renewal of millenary arts and crafts, now charged with new political-social and aesthetic meanings.
Source: https://www.march.es/es/madrid/exposiciones/antes-america
The exhibition begins in the 18th century, documenting scientific expeditions and archaeological discoveries, the formation of the first collections and historicist architecture. It continues with the Americanist dimension of identity which, at the beginning of the 20th century, reinterpreted pre-Columbian knowledge and languages in materials for school education and gave rise to schools of arts and crafts, transforming graphic design, literature, theatre, cinema, music and fashion. It also addresses the plastic proposals that, in the middle of the last century, recovered or invented “the ancestral”, when new “travelling artists” ventured to America and explored it, collected their findings and recorded them with drawings and photographs that impregnated their own works.
The exhibition extends to the present day, revealing how the Amerindian paradigm throughout the world seems to show no signs of tiring: it survives in the conscious use of geometry and colour, in the critical or ironic quotation of the past, in performance, postmodern architectures with indigenous roots, intentional kitsch, the refinement of conceptual art, new artistic behaviours and the sophisticated renewal of millenary arts and crafts, now charged with new political-social and aesthetic meanings.
Source: https://www.march.es/es/madrid/exposiciones/antes-america